On September 11, Nigel Rolfe performed a new work entitled Red as part of this show, in which materials familiar from his forty year career played a significant role.
The timing of this book is impeccable. Its publication coincides with the most recent resurgence of interest in designer Eileen Gray.
McAvera positions Pye as a painter of human experience and emotion and argues persuasively that Pye is a history painter rather than religious artist.
This history of the Dublin printmaking studio by member and one-time Chairman Brian Lalor is a beautiful production; the story it tells is not so pretty.